Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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MUSIC IN THE WOMAN’S BUILDING.
FINDING myself appointed chairman of the Committee on
Music in the Woman’s Building, by Mrs. Potter Palmer, and
feeling somewhat overcome at the immense and unexplored
field for work that lay before me, it occurred to me that here also
might lie the same opportunity for “ helping women to help them-
selves” that has been the underlying motive of all the woman’s work
of the Columbian Exposition; therefore I submitted, with some hesi-
tation, a little plan for securing amateur music in the Woman’s Build-
ing to Mr. Theodore Thomas, Musical Director-General. Mr.
Thomas found something worthy in the idea, and indorsed my plan
heartily, lending me his advice and cooperation, which have proved
of inestimable value. After studying the possibilities which lay in
my original idea, that of affording a hearing in the Woman’s
Building for amateurs of distinction, I sent the following circular
to all the Lady Managers, asking their sympathy and assistance in
their various States:
“ Believing that the progress of American women in musical
knowledge and experience can not be more simply and effectively
shown, the National Committee on Music in the Woman’s Building
at the Exposition has designed a series of musical illustrations
after the following plan, briefly outlined: It is proposed to give
semi-monthly concerts in the Woman’s Building at Chicago during
the six months of the Exposition, at which only women or girls
who are amateurs, possessed of talent and a high order of musical
ability, and who have been residents of America for at least ten
years, will be permitted to appear. The qualifications of any one
desiring to take part must first be tested and approved by a jury
selected by the Woman’s National Committee on Music, and satis-
factory to Theodore Thomas, Musical Director of the Exposition.
No musical prodigy will be admitted simply as such, nor is the
diploma of any college or conservatory either necessary or suf-
ficient. Each candidate will be rated upon her merits, technical
proficiency not alone being considered. Permission to appear at
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