Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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230
ART AND HANDICRAFT
century. (I give precedence to the word physical, considering the
moral largely dependent upon it.)
In. the Woman’s Building at the Columbian Exposition the
history of lace, from prehistoric times to the most perfect speci-
mens of the modern school of Burano, is illustrated in a collection
of great interest, including the priceless antique laces graciously
lent by Her Majesty the Queen, of Italy.
There is a complete set of antique bobbins of bone, terra cotta,
bronze, and ivory, and the figure of a woman with her pillow of
unfinished lace to illustrate the process.
The revival of the lace industry has resulted all over Italy in the
greatest benefit to the peasantry, the success of which is greatly ow-
ing to the indefatigable energy of an American, Cora Slocomb, Count-
ess di Brazza, whose untiring- example has inspired many others.
It is customary to think of Italy as a country that has had her
day. No mistake is greater. Bologna, the quaint old university
town, with, her leaning towers, her picturesque arcaded streets, and
medieval palaces, is still mentally alive, and has kept awake dur-
ing the long sleep of centuries in which some of the nations lay
unconscious.
There are at present fifteen women students in the university,
the most learned of whom is a Signorina Catani of Imola, twenty-
eight years of age, who has been a student there for nine years, and
is now assistant to Professor Tizzoniin “general pathology.” She is
a worthy successor to the famous Bolognese women of the past who
occupied the chairs of philosophy, jurisprudence, and medicine.
Among these, as early as the twelfth century, the famous Novella
lectured upon philosophy. Her beauty equaled her learning, so
that she was obliged to lecture behind a veil in order not to endan-
ger the peace of mind of the sterner sex!
In. the thirteenth century Bettisia Gozzadini was a “ reader of
law ” in the university. Her portrait is in Bologna, a truly lovely
head, an. ideal Portia!
Laura Bassi, wife of Professor Verati, was professor of philosophy,
and equally learned in mathematics and physics. She was a member
of the Academy of Bologna,and devoted her leisure to writing poetry.
The pride of Bologna, the woman whom the university justly
delights to honor, is Anna Manzolini, who, 115 years ago, filled the
chair of anatomy at the university. Her wonderful anatomical
reproductions in wax, as well as the portrait busts of herself and
her husband which she modeled, are still to be seen there. She
was macle an honorary member of all the scientific and literary