Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
259
Mme. Schabelskoy’s most wonderful and rare collection of
Russian woman’s ancient work is not yet open to the public, but is
of greatest scientific importance as saving from oblivion olcl
patterns and designs. |
Of Charity I find it unnecessary to speak, for in Russia, as every-
where else, woman has always considered it her special field.
Something of the status of Russian woman can be learned from
the following details: She inherits (when there is no special
testament) the fourteenth part of her father's and seventh part
of her husband’s fortune. In marrying she keeps all rights of
possession in complete equality with the man. Land-owning gives
her all the same privileges, such as voting (not personally, but by
proxy) in the provincial and municipal elections.
Thus we see that Russian woman takes a great part in the
social and political life of her country; and that whichever way man
wishes to direct his activity, woman will always stand by him with
helping and encouraging hand.
Our national literature that has always truly represented Russian
life in all its depths and variety has made of the Russian woman
a beloved and inexhaustible subject. Its masterpieces offer high-
est examples of feminine character; the type has been immortal-
ized by the pen of such men as Poushkine, Tolstoy, Tourgueneff,
Gontcharoff, and Russian women can be proud of the tribute that
fiction pays to reality.
Princess M. Schahovskoy.
Attention is called to the beautiful entrance of the Russian section. This is a
reproduction of a Byzantine gate of the twelfth century, in the famous church of
Tourieff Polski. It is made of oak, and is a triumph of fine joiner’s work, not one
nail being used. The quaint and delicate design is produced by a method invented
by the Princess Schakowskoy. The surface of the wood is overlaid with real gold-
leaf, from which the design is burnt out. The color produced by the gold sinking
into the wood is very rich and unique. We are'glad to learn that this piece of work,
which was designed and macle by Russian women, may be bought and retained in
our country at the close of the Fair.—Ed. . •
I