Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
29
garden are in harmony with the purity, simplicity, and dignity of
the building, proving that Miss Rideout, the young Californian
sculptor of these charming groups, worked in perfect sympathy
with the architect.
The group represented in the pediment typifies womans work
in the various walks of life. The central figure is full of spirit and
DECORATIVE PANEL—“THE REPUBLIC’S WELCOME TO HER DAUGHTERS.
Rosina Emmet Sherwood. United States. (Copyrighted.)
charm. In one hand she holds a myrtle wreath; in the other, the
scales of justice. On her right, we find Woman the Benefactor;
and on her left, the Woman, the Artist and Litterateur. The
figures are modeled in very liigh relief, Hiid. the whole ■woik lias an