Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
39
room, a bright, cheerful apartment, whose simple and appropriate
decoration we owe to Miss Sheldon of Hartford.
We come next to the first of the two Record rooms, which on
either side connect with the library. Here are kept the statistics
of woman’s work in many countries, which have been collected
with such patient research. A frieze formed of panels of native
wood, designed and carved by women from
our different States, is an interesting feature
of this room.
From a purely artistic standpoint the
library is the most important feature of the
building, after the Hall of Honor. Its deco-
ration has been intrusted to Mrs. Wheeler.
As the heavy doors swing to, we find our-
selves in a well-proportioned room, whose
chief and most valued quality is that of
harmony. The eyes, tired with the great
demand which has been made upon them,
rest gratefully upon the green and gold of
the walls. The visitor sinks into a chair, and
for a long time thinks of nothing but the
pleasant coolness of the place. The room
has a character and individuality that we
rarely find save in the house of some esthetic
lover of books. The beautiful dark carved-
oak book-cases are filled to overflowing with
books by women of all nations. Every room
has its own climate—we know whether we
are visiting in the arctic, the temperate, or
the torrid zone five minutes after entering
SKETCH FOR GLASS
WINDOW.
Mrs. Parrish. United
States.
a strange house. Our library is in the tem-
perate zone—the best climate for the scholar
and the dilettante. To such a visitor there is
no single apartment in the whole Fair where he will find himself so
pleasantly at home. The chief decoration of this room is the ceiling
__the work of Dora Wheeler Keith. In undertaking this arduous
labor Mrs. Keith attacked the most difficult branch of decoration,
and the artist is to be congratulated that she lias painted what is per-
haps the rarest thing in the whole range of art, a successful ceiling.
The ornamentation is rich and original. A wide border of
scroll-work forms the outer edge. Inside of this we have a very
beautifully painted piece of drapery, enriched here and there with