Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
57
painters. Her work is probably better known to those intimately
connected with art than to the general public. She is of the
school of Degas, Whistler, and Monet, and holds that a ballet-
girl by Degas may be as religious as a saint by Puvis de Chavannes.
Slie would call Degas master, but that lier manner of expres-
sion has been arrived at independently of him. A set of her
etchings has been purchased for the Luxembourg, and the
French Government invited her to present it with a picture, an
honor which falls to few, and which it was characteristic of
Miss Cassatt to decline. Her “ Essais Japonais ” are what their
title indicates, and are a revelation of strong line and exquisite
OIL PAINTING—“ DEATH OF MIGNON.” Adrienne Potting. Austria.
color. Her decoration in Chicago will no doubt be caviar to those
who may not see the religion in Degas, but to the catholic lover
of art it appeals strongly.
Mrs. MacMonnies is a painter with a delightful color sense. It
might seem rash that so young a painter should have been given,
and that she should undertake, so grave a work. The decoration,
which is sixty feet long, lias been carried to a successful completion,