Britain at Work
A Pictorial Description of Our National Industries
År: 1902
Forlag: Cassell and Company, Limited
Sted: London, Paris, New York & Melbourne
Sider: 384
UDK: 338(42) Bri
Illustrated from photographes, etc.
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242
BRITAIN AT WORK.
which, as in fancy weaving, the cards act and
give to the warp threads the varying move-
ments required by the pattern. Standing in
front of such’a machine, one sees a long row
of bobbins passing to and fro through the
thousands of threads forming the warp with
the regularity of a pendulum, the pattern
appearing above after having mechanically
undergone its wonderful transformation from
mere thread. The machines are worked their
whole length, lacing threads which are after-
wards drawn out connecting the widths.
Photo: Cassell & Co., Ltd.
BLEACHING.
While plain net is mostly made
in the larger factories, fancy lace
is popular with those manufac-
furers who have only a small number of
machines each. The Curtain machines are
still more bewildering to watch, additional
threads being used, and the Jacquard working
from overhead instead of, as in the Levers,
from the end of the machine. The large
firms, too, have their own special mechanisms,
the secrets of which they guard most jealously.
From the machines the fabric is handed
over to the finishers, mostly women and
girls, whose work is, as we have noted,
generally carried on in separate establish-
ments managed by different firms. The first
process is that of bleaching, the feature of
which is the interesting way in which the
superfluous moisture is removed. The mechan-
ism consists of a cylindrical vessel of wire
gauze in which the lace is placed, the water
being driven off by the rapidity with which
the machine revolves. Hence it is taken in
huge baskets to the “ piece-room,” where the
required shade and colour is indicated by a
ticket fastened to the bundle of the fabric.
In the “ dipping-room ” it is placed in a
mixture of gum, starch, size, and colouring
materials, being afterwards squeezed between
wooden rollers. Sometimes, however, the
web is at once fastened on a frame and the
“ dress ” put on the edge and spread over
with brushes, this being done by a class of
young workers known as “wetters.” Owing to
the extremely delicate nature of the fabric
it has to be handled with very great care.
The next process takes place in what is
variously known as the stretching, drying,
or dressing room. It is of very great length,
from 200 to 400 feet, and is occupied by two
parallel horizontal frames, with an ingenious
arrangement of fans overhead. The frames
consist of two rails, between which the lace
is pulled and fastened by girls, who are re-
markably expert at the work. By means of
a winch-handle they gently stretch out the
web until all the meshes are open, delicately
re-adjusting the rails from time to time, as,
in the case of lace made from cotton thread,
the net “ swags,” or stretches, in drying.
Ladies’ veils, eighty yards long and six
or seven yards wide, beautifully designed
curtains, and narrow lace for neck and under-
wear are here seen extending the whole
length of the room, the threads which divide
them up into the familiar patterns being just
traceable.