Britain at Work
A Pictorial Description of Our National Industries
År: 1902
Forlag: Cassell and Company, Limited
Sted: London, Paris, New York & Melbourne
Sider: 384
UDK: 338(42) Bri
Illustrated from photographes, etc.
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320
BRITAIN AT WORK.
CROMPTON AXMINSTER LOOM (MESSRS. RICHARD SMITH AND SONS, KIDDERMINSTER).
THIS LOOM IS CAPABLE OF WEAVING THE FINEST AXMINSTER CLOTH KNOWN AND OF PRODUCING UP TO FORTY
YARDS PER DAY AND ANY NUMBER OF COLOUR SHADES.
chief designers the sketches are taken to the
copyists, who paint them on to pointed paper
for the use of the colourists and weavers.
This brings to view an important limitation
of the carpet-maker’s art. He works with a
thick thread, and no line of colour, no diversity
of shade, can be smaller than the square of the
thickness of the worsted. I he pointed paper
is ruled in squares equal in size to the thick-
ness of the doubled thread.
While the designs have been prepared the
wool has been, undergoing treatment. From
the stores on the ground floor the worsted
yarn, yellowish and oily, is taken to the
scouring room and plunged through a series
of baths ranged in long succession—first a bath
of alkaline solution, next soapsuds, next
clear cold water. Swished round and round
by long forks, the wool is borne automatically
from one bath to the other, then passed
between two heavy press rollers. Dried in
steam-heated stoves, the yarn is prepared for
the dyer, who has already mixed the dye in
the troughs. He hangs the hanks on the
churning frames in the troughs, and leaves
them till the worsted is permeated with the
colour. Again the yarn is dried, and next it
goes to the winders, whose machines are very
similar to those we saw winding the spools
for the weavers’ shuttles. Wound on to
spools, the yarn is stored in the colourists*
department. Hither comes the colourist with
the design in his hand, and he carefully selects
the colours suited to the pattern from his stock
of yarns.
The yarns selected are sent to the frame-
setting room. Girls receive the spools, and
lay them thread by thread across long frames,
stretching the yarns from end to end of the
frames. Every colour appearing in the
Brussels carpet must be represented by at
least one thread the full length of the warp,
for the whole carpet is of one thickness, and
it is the warp that gives it body. The threads
of the warp appearing on the surface were
formerly selected by a draw-boy, taught to
pull certain strings looped round each thread ;
but the Jacquard apparatus has superseded
the draw-boy, and given to the operation an
accuracy and facility very wonderful. By a
special process the Jacquard cards are prepared
for their function, being perforated in curious
fashion. The frames are laid behind the
loom—two frames, four frames, or six frames,
according to the size and weight of carpet to
be woven. From above the loom depend
many wires, and attached to them are loops
which are passed round the threads on the
frames. The cards are hung beside the upper
ends of the wires. Linen warp, beam, and