Britain at Work
A Pictorial Description of Our National Industries
År: 1902
Forlag: Cassell and Company, Limited
Sted: London, Paris, New York & Melbourne
Sider: 384
UDK: 338(42) Bri
Illustrated from photographes, etc.
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THE ABERDEEN GRANITE INDUSTRY.
63
French monument is that to Charles Garnier,
the famous architect of the Paris Opera
House. The whole of the granite work of
this memorial was executed in the yard of
Messrs. Alex. Macdonald and Company,
Limited, the pioneers of polished Aberdeen
granite. It is scarcely necessary to speak
of the home trade. Everyone in this country
has seen some bank, assurance office, or other
public building embellished with the product
of the granite city, its shining surface defying
the grime and smoke of a London atmo-
sphere. Within the last ten years or more,
such has been the demand for architectural
granite work, that the Aberdeenshire quarries,
extensive as they are, have not been able
to furnish a sufficient supply, and although
it may appear very like the proverbial
carrying of coals to Newcastle, it is never-
theless a fact that large quantities of foreign
granite are imported into Aberdeen, in the
rough state, principally from Russia, Norway,
and Sweden. None of the foreign material,
however, can compare with the home article.
As the deposits of native rock are practically
inexhaustible, and the development of the
quarrying industry is going steadily on, it
is confidently anticipated that in a few
years there will be a large enough output
of Aberdeen granite to meet all demands.
Apart from architectural and monumental
work, Aberdeen granite is rapidly asserting
its superiority as a bridge-building material
—the widening of London Bridge being one
of the latest examples of its adoption for
this purpose. In conclusion, one last word
may be said in regard to the artistic
possibilities of granite work. For several
years a granite-cutting class has been con-
ducted in connection with the Aberdeen
School of Art, the students being taught
to model their design in clay before repro-
ducing it in the more permanent material.
The object of this class is to still further
improve the quality of the work done in the
stone-cutting yards, by inculcating a taste
for art in the minds of the younger genera-
tion of workers in granite.
Victor Mitchell.
SETTING UP A GRANITE MONUMENT.