History of the Typewriter
Forfatter: Geo. Carl Mares
År: 1909
Forlag: Guilbert Pitman
Sted: London
Sider: 318
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—192—
tight as to cause smears or markings on the underneath
copies when carbon copies are being made.
Means are provided for separating the feed roll from
the platen, in order to permit of the insertion of several
thicknesses of paper. The paper grips at once, and feeds
in very squarely. There is no necessity for coaxing it in
any way.
Three widths of line space are provided for, and the
platen is free to revolve forward or backwards, to permit
of writing on ruled lines. There is a platen knob at each
end, and as far as is reasonably possible, every provision
has been made for the duplication of parts, so that either
hand may be employed to perform any work which may
fall to be done. The margin blocks work on the usual
plan of sliding on racked bar, and can be fitted at any
point desired. The return of the carriage brings it to a
dead stop, and there is no rebound in any way. The
marginal release key will permit of the margin being passed
over, in order to finish long words or write outside the left
margin. It automatically recovers itself on the carriage
passing over the part to which the stop is set. The right
hand margin stop also acts as a bell trip. There is a pointer
to indicate the exact printed point, and two scales, although
such are hardly necessary.
The touch of the Monarch is exceedingly light, and the
movement of the bar is very rapid, and the machine is
also said to be a first-class manifolder.
The Sun Typewriter. The illustration of the Sun will
at once reveal the fact that it is a visible writing machine,
and that there is a keyboard of twenty-eight keys, which,
working by means of a curious double-action shift-key,
governs eighty-four characters. The type-bars lie on their
backs, and on depression of a key, fly upwards, and, entering
a guide, strike the paper, after having taken the necessary
supply of ink off a small ink roller, described further on.
Immediately on pressure being taken off the key, the
bar flies back to its place of rest, the last character written
being as clear and visible as the first, and the first no better
off than the last.
If we examine the diagram of the type-bar, it will be
seen that the whole movement is one of considerable novelty
and ingenuity. The depression of the button causes the
L-shaped lever to swing on its pivot, thus pulling the top
of the arm towards the operator. This arm is connected
to the type-bar by means of the connecting wire shown,
and so pulls the lower spur of the type-bar also towards