Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
139
these concerts will be a mark of high honor, and will confer a last-
ing distinction, the advantages of which can not be overestimated.
“ Minnesota has decided to bestow a medal upon each successful
candidate belonging to that State, and it is hoped that other States
will follow its example. The concerts are intended to provide
a public appearance for those amateurs of distinction who are shut
out from the concert-room of the professional, and who, for various
reasons, may not wish to appear therein. Quartettes, trios, either
vocal or instrumental, choral and orchestral organizations of women
will be eligible for
examination. The
examinations will
take place not later
than February, 1893,
eitherat Chicago or
at several cities in
the different States.
It is hoped that all
candidates for these
concerts will com-
municate with the
chairman of the
Woman’s Board for
their State, or with
the undersigned, as
soon as possible. It
is also desired that
all women following
music as a profes-
sion, and wishing to
appear in the Wom-
an’s Building, will
make application to
FRENCH COLBERT POINT LACE FLOUNCE.
Exhibited by Lefebure. France.
Theodore Thomas, Musical Director of the
Exposition.
“The National Committee on Music in the Woman’s Building
congratulates itself that in the above plan it has the hearty sympa-
thy of Theodore Thomas and of the entire Bureau of Music, and
that it finds itself in complete harmony with the broader and more
comprehensive scheme of musical illustration as outlined by Mr.
Thomas in his first official bulletin, recently issued. It needs but
a cordial response and earnest effort on the part of American
women to win for their sex such a recognition as the great occasion
alone makes possible.”