Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN’S BUILDING.
197
Woman’s Building of specimens of work done in various philan-
thropic institutions, together with a, number of models, sketches,
photographs, maps, and some seventy printed volumes of reports,
etc. All the examples of work exhibited—though in some instances
of comparatively small value—possess a history. Taken in associa-
tion with the written report presented to the exhibition., they tell
many a story of how single individuals setting to work with heart
and mind, and pursuing the effort with courage and tact, can con-
quer the obstacles presented by an isolated and iesouicclsss district,
by an ignorant and untrained population, by an apathy and idleness
arising-^ mainly from the want of hopeful inspiration and skilled
guidance. They are so many proofs, these little pieces of handi-
work, of the industry and cleverness which lie buried in the pooi-
est classes, and the effective materialization of which is one of the
best and most reproductive objects to which philanthropic effort
can be applied—for the work required in the production does not
end with the object produced, and the reward is not to be measured
by the little wage given in return, in itself often an appreciable
help to the scanty resources of a struggling- family. It carries on
into the future; it implies that the hand which hitherto was
unskilled has been trained to execute, and the eye to select and
discriminate. The mind as well as the body has learned the habit
of work, and the whole morale of the individual is braced and
trained.
Upon the methods adopted for collecting the information con-
tained in the printed and type-written volumes, it is not necessai}
for me to dwell here. Those who are interested in the subject will
find the information given in detail in my preface to “ Woman s
Mission,” where I have also explained why the Columbian Exposi-
tion will, in my opinion, give to 1893 a significant and unique place
in the history of the material and social progress of the world.
Hitherto international exhibitions have been chiefly concerned
■with the material progress of civilization. At Chicago the moral
and social progress of the world receives a prominent and peculiar
consideration. Moreover, under this second head, the department
of woman’s work takes its place for the first time, and both on that
account and by reason of the special regard given to philanthropy
much of the deeper and more lasting interest excited by this great
Exhibition will, I think, gather round the section for which this
report has been prepared. It is fitting that the close o± the nine-
teenth century should focus and illustrate in a definite form the
share whicli women have taken in its development, of which, m