Art and Handcraft in the Woman's Building
of the World's Columbian Exposition
Forfatter: Maud Howe Elliott
År: 1893
Forlag: Goupil & Co.
Sted: Paris and New York
Sider: 287
UDK: gl. 061.4(100) Chicago
Chigaco, 1893.
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IN THE WOMAN'S BUILDING.
203
can be no denying that in aquarelles no school has ever approached
the English. The opportunities for studying art in our country
are very great, for women as well as for men. The careless
observer, judging only from ths larg's annual exhibitions, in which,
it may be held that the standard is not kept sufficiently high, may
be inclined to underrate contemporary British art, but the careful
student will find that London is in fact, as well sis in name, one of
the great art centers of the world. While George ÄV atts, Walter
Crane, and Burne-Jones live, we can claim that in the field of
portraiture, illustration, and ideal work three of the greatest con-
temporary artists are English born and bred. The Montalba sis-
ters, Mrs. Adrian Stokes, Blanche Jenkins, Henrietta Rae, Miss
Osborne, and Miss Stewart Wood are well represented at Chicago.
Mrs. Swynnerton’s “ Mater Triumphalis ” at the Art Palace wins
almost as much commendation as Lady Butler s famous picture,
“ The Roll Call.” When this was exhibited for the first time at the
Royal Academy, a policeman was in attendance to keep the crowd
in order that always gathered about it. The picture was bought
by Her Majesty Queen Victoria, who has kindly consented to send
it to Chicago.
Mrs. Adrian Stokes exhibits two of her important pictures, an
“ Annunciation,” very original in composition, and a pathetic little
scene which she calls “ Go, thou must play alone, my boy. A
little lad sits weeping" bitterly beside liis playmate, who lies at lest
white and still as tlie flowers on her breast. The treatment of
this familiar subject is very tender, the dead child, is exquisitely
painted, and the grief of the little brother is quiet, reserved, and
infinitely human. The women sculptors who exhibit are Miss B.
A. M. Brown, Miss Henrietta Montalba, Miss Ada M. Chignell, and
Miss E. M. Moore. Among the etchings and engravings excellent
examples of the work of Mrs. Dale, Miss Ethel Martyn, and Miss
Elizabeth Piper may be found. When the exceedingly high
standard of the work which Great Britain has sent to Chicago
is taken into account, it is a significant and encouraging fact that
forty-five women are represented among the British artists
exhibiting in. the Art Palace.
The east vestibule of the Woman’s Building’ is decorated by two
large mural paintings. The one by Mrs. Swynnerton represents
three different phases of nursing, the care of the young, the
sick, and the aged. The decoration is in the form of a
triptych. The central panel represents the Crimean Hospital
at Scutari, with, the sick and wounded soldiers lying on