Information for Exhibitors
A brief Description of the Exposition, Extracts of important Rules and Regulations, and an Analysis of the Plan and Scope of the Exhibit Departments

 INFORMATION BW for EXHIBITORS of the world. The Department of Fine Arts will afford an opportunity for the study and comparison of the best productions of the brush and pencil that have been created since 1905. This is true also of sculpture, for the Exposition will bring together the most representa- tive works from foreign and American artists. The collection will be the most important, the most collective and the most representative exhibition of every modern school, and will tell, by the most complete method, of the esthetic as well as the material value of art as an incentive to national as well as to individual education, culture and refinement; while it will give an unique means of gathering a comprehensive and accu- rate impression of the artistic activities of the world and their tendencies. There will be a notable Loan Collection of Masters and works earlier than 1904. The responses from Euro- pean art centers and the interest manifested by Ameri- can artists at home and abroad leave no question as to the unusual quality and number of schools to be shown. The display of Fine Arts at the universal exposition in San Francisco will afford rare enjoyment to the many privileged to see it, and will also prove of immense interest to thousands of art lovers who may not be fortu- nate enough to visit the Exposition. The visitor may personally see the vast collection of beautiful objects displayed, while the absentees will be able only to read of them. Both, however, will derive profit in added knowledge and understanding of Art and its powerful effect upon the culture and refinement of the human race. The Exposition of 1915 will therefore prove of incal-