How To Drive A Motorcar
A Key To The Subtleties Of Motoring
År: 1915
Forlag: Temple Press Ltd.
Sted: London
Udgave: 2
Sider: 138
UDK: 629.113 How
Written and illustrated by the Staff of "The Motor"
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HOW TO DRIVE A MOTORCAR
at once, as sooner or later the occasion will arise when
the brake in question will be found from one cause or
another not to be sufficient adequately to meet the
circumstances, and then, if the other brake is not in
proper condition, something undesirable is likely to
occur.
A Footnote About the Clutch Pedal
This chapter on the question of the brakes and their
operation is perhaps as suitable an opportunity as any
other for dealing with another little matter which is
rather a pet hobby of the writer’s, and which, so far as
his observations have yet led him, does not seem to be
a very common practice. Let us then incorporate this
little foot-note on the idea.
It may be remembered that when the pedal accelera-
tor was first cast forth for the consideration of the
motoring world, there was quite a general outcry
against it. The opinion freely expressed was that it
was ridiculous to expect one to be able accurately to
control the movement of such a pedal with the foot,
and furthermore that very few miles of such driving—
even if one assumed it feasible—would make the foot
mighty tired and give one the cramp.
To be perfectly honest, the writer personally was
one of the many who soliloquized thus. Yet to-day we
see it as the most universally admitted practice on a
car of any fitment about which there is a choice.
Now, if it can so readily be done and the movement so
well controlled, without, undue fatigue by so many
drivers, why not extend the idea of continual foot-
control to the clutch pedal?
Many years ago the writer thought thus, and started
to train the left leg and foot so as to become accus-
tomed to spending something over 90 per cent, of the
time when driving resting on the clutch pedal. Many
admittedly expert drivers with whom the suggestion
has been discussed have pooh-poohed it, but even so
the writer still thinks that there is much to commend
it. The reason, again, is our old friend previously
alluded to, viz., the odd second, or even the fifth of a
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