History of the Typewriter
Forfatter: Geo. Carl Mares
År: 1909
Forlag: Guilbert Pitman
Sted: London
Sider: 318
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The simplicity of the carriage secures great rigidity.
The type-bars are locked at both ends in the act of printing,
and permanency of alignment is thus secured. The type-
guide effecting this is placed close to the base of the type-
bars, and is also said to take up any wear in the only point
of connection between the type-bar and lever. The other
guide is placed immediately over the platen at the point
of writing contact, an arrangement which prevents more
than one type getting close to the paper, and locks colliding
types in such a way that neither can print.
The Franklin ribbon is a narrow one, carried on two
spools and capable of instant reversal. On the left of the
carriage is the line space lever, which on being struck by
the forefinger returns the carriage at the same time as it
makes the line space. The carriage stop can be adjusted
at any point desired on the V shaped track on which the
carriage travels.
The bell trip is on the rod holding the spring which
operates the upper and lower case, and may be adjusted
to ring at pleasure. The usual scales—two in number—are
provided, and, as will be readily seen from the illustration,
the writing is visible at all times.
An improved model, incorporating a square key-board,
was stated (in 1906), to be in preparation.
The Oliver.
Thomas Oliver, the inventor of the machine to which he
has given his name, passed his boyhood’s days upon a
farm, where he found many opportunities for giving vent
to his mechanical genius. He made crude models of
threshing machines, and reapers and ploughs. Windmills
and other mills also found in him a possible improver.
These models were made with such tools and material
as he found about the farmhouse and the toolshop which
was attached thereto. As an instance of his juvenile
precocity, it may be mentioned that at the age of twelve,
he made up his mind to build a steam engine. He had,
at that time, never seen inside an engine shop, but that
was no barrier. George Guest, the Indian who reduced
the Cherokee language to paper, was absolutely ignorant
of reading and writing, and was, moreover, inclined to
deafness, but he did his work very well, and Thomas Oliver
was not going to be outdone by the Indian, although,
perhaps, at that time, he had never heard of him or his
work. With the aid of an old hammer and a saw, and a