A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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168
SCIENTIFIC INVESTIGATIONS ON PHOTOGRAPHY.
glass were well made out, and a remarkably strong impression
where the crown glass rested on the tracing paper, hut the mica
had not made any impression.
10. The last experiment repeated. After the exposure to
mercurial vapour, heat was again applied to dissipate it: the
impression still remained.
11. The experiment repeated, hut the vapour of iodine used
instead of that of mercury. The impressions of the glasses ap-
peared in the same order as before, but also a very beautiful
image of the mica was developed, and the paper well marked
out, showing some relation to exist between the substances used
and the vapours applied.
12. Placed the glasses used above, with apiece of well-smoked
glass, for half an hour, one twelfth of an inch below a polished
plate of copper. The vapour of mercury brought out the image
of smoked glass only.
13. All these glasses were placed on the copper, and slightly-
warmed : red and smoked glasses gave, after vaporisation,
equally distinct images, the orange the next, the others left but
faint marks of their forms ; polishing with Tripoli and putty
powder would not remove the images of the smoked and red
glasses.
14. An etching, made upon a smoked etching ground on glass,
the copper and glass being placed in contact. The image of the
glass only could be brought out.
15. A design cut out in paper was pressed close to a copper
plate by a piece of glass, and then exposed to a gentle beat ; the
impression was brought out by the vapour of mercury in beauti-
ful distinctness. On endeavouring to rub off the vapour, it was
found that all those parts which the paper covered amalgamated
with mercury, which was rubbed from the rest of the plates:
hence there resulted a perfectly white picture on a polished
copper plate.
16. The coloured glasses before named were placed on a plate
of copper, with a thick piece of charcoal, a copper coin, the mica,
and the paper, and exposed to fervent sunshine. Mercurial
vapour brought up the images in the following orders : smoked
glass, crown glass, red glass, mica beatifully delineated, orange
glass, paper, charcoal, the coin, blue glass : thus distinctly
proving that the only rays which had any influence on the metal
were the calorific rays. This experiment was repeated on
different metals, and with various materials, the plate being ex-
posed to steam, mercury, and iodine: I invariably found that
those bodies which absorbed or permitted the permeation of the
most heat gave the best images. The blue and violet rays