A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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174 SCIENTIFIC INVESTIGATIONS ON PHOTOGRAPHY.
is yellow, and cuts off nearly all the “ chemical” rays, allowing
only of the free passage of the less refrangible rays ; the most
abundant being the yellow. This retards the process of solariza-
tion, but it produces its complementary colour on the plate.
These facts will, I think, prove that the possibility of our being
enabled to produce coloured photographs is decided, and that
the probability of it is brought infinitely nearer, particularly by
Sir John Herschel’s very important discovery, than it was
supposed to be...
M. Edmond Becquerel has recently succeeded in obtaining
bright impressions of the spectrum in colours, and copying highly
coloured drawings on metallic plates prepared with chlorine.
Mr Hill of New York, announced that he had obtained more
than fifty pictures from nature in all the beauty of native colour-
ation This process was not disclosed, but we were assured that
it was a modification of the daguerreotype—one material, quite
new being introduced—and that as soon as the manipulatory
details were perfected the whole was to be published. 2 very
long time has elapsed, and we have no indication of any develop-
ment of his method of operating, and I believenone of his specimens
have reached England. The results of M. Niepce de St-Victor
have been of a far more satisfactory character: the main particulars
thereof we select from a memoir entitled “Upon the Relation
existing between the Colours of certain coloured 1 lames with
the Heliographie Images coloured by Light.”
When a plate of silver is plunged into a solution of sulphate
of copper and chloride of sodium, at the same time that it is
rendered electro-positive by means of the voltaic battery, the
chloride formed becomes susceptible of colouration, when, having
been withdrawn from the bath, it receives the influence of
^yp Niepce de St.-Victor, from observing that when chloride
of sodium (common salt) was employed the plate became more
susceptible of receiving a yellow colour than any other, and
knowing that it imparted a yellow colour to flame, was led to
believe that a relation existed between the colour communicated
by a body to flame, and the colour developed upon a plate of
silver, which should have been chloridated with the particular
To avoid complexity, it may be briefly stated that the bath in
which the sensitive surface is obtained is prepared with water,
holding free chlorine in solution, to which lias been added the
salt which is essential to give a predominance to any particular
colour. . . ,.„
It is well known that strontian gives a purple colour to flames