A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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SELECTION OE PAPEB E0B PHOTOGBAPHIC PUEPOSES. 193
But what is very singular, this change is not equally rapid upon
all hinds of paper,—a difference depending, no doubt, on the size
employed; which, it may he observed here once for all, is of the
utmost influence in all photographic processes. In one sort of
paper (known by the name of blue wove post) it is instantaneous,
taking place the moment the nitrate (if abundant) is applied.
And yet I find this paper to resist discolouration, by keeping,
better than any other, when the mordant base is silver instead
of lead. On the other hand, a paper of that kind called smooth
demy, rendered sensitive by a combination of lead and silver, was
found to acquire, by long keeping, a lead or slate colour, which
increases to such a degree as might be supposed to render it
useless. Yet, in this state, when it is impressed with a photo-
graphic image, the process of fixing with hyposulphite of soda
destroys this colour completely, leaving the ground as white as
when first prepared. This fortunate restoration, however, does
not take place when the paper has been browned as above de-
scribed. Some of the muriatic salts also are more apt to induce
this discolouration than others, especially those with the earthy
bases."
It will be evident from these remarks that it is of the utmost
importance to secure a paper which shall be as chemically pure
as possible. Experience has proved that recently-manufactured
paper does not answer equally well with that which has been
made for a year or two. It has been thought by many that this
'was an unfounded statement, but it is not so ; and the causes
operating to the improvement of paper by age are evident. The
organic matter of the size is liable to a spontaneous change:
this goes on for a considerable time, but at length the process
becomes so exceedingly slow that it may, for all practical pur-
poses, be said virtually to rest. Paper changes its colour by
keeping from this cause, and I have found that such as I have
selected from the shop-worn stocks of stationers has been gene-
rally superior to that which has been more recently manufac-
tured.
Select, therefore, paper of a uniform texture, free irom spots,
and of equal transparency, choosing the oldest rather than the
newest varieties.
Where the process is highly sensitive for which the paper is
desired, it is important to treat it in the following manner:
Having a shallow dish sufficiently large to receive the sheets of
paper without in any way crumpling them, it is to be filled with
very clear filtered water, to which a sufficient quantity of nitric
acid has been added to make it slightly sour to the taste.
Taking a sheet of paper, it should be laid on a porcelain slab,
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