A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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M. FLACHERON’s PROCESS. 233
will of course be understood by all who have followed the
processes described up to this point, that the papers which are
prepared for keeping are not those which are the most sensitive;
hence it is necessary to expose such a much longer time in the
camera than those prepared by the stronger solution of silver.
The more sensitive variety, under ordinary circumstances of light,
will require an exposure in the camera of about twenty seconds,
the less sensitive demanding about 10 or 15 minutes, according
to the circumstances of light.
Fourth Process: The Development of the Image.—The
picture is developed by the aid of gallic-acid dissolved in
distilled water. Le Gray finds the following to be the best
proportions :—
Distilled water ................40 fluid ozs.
Gallic acid ...........60 grains.
The paper is to be plunged into this solution, and allowed to
remain until it is fully developed. The time will vary from ten
minutes to two hours or more, according to the intensity of the
rays incident on the paper when in the camera. The develop-
ment of the image is much accelerated by the addition of 15 or
20 drops of the aceto-nitrate of silver.
Fifth Process : Fixing.—It is found convenient often, when
on a journey, to give a temporary fixedness to the pictures
obtained, and to complete the process with the hyposulphite at
any time on your return home. A wash of 360 grains of
bromide of potassium to two quarts of water is the strength
whicli should be employed. The process of fixing with hypo-
sulphite consists, as in other preparations, simply in soaking the
paper until the yellow tint of the iodide has disappeared: the
details are particularly given at page 216, in the chapter on
Fixing Photographs.
Section V.—M. Flacheron’s Process.
The productions of M. Flacheren, which were seen in the
Great Exhibition, excited much interest, and the process by
which these were obtained in the Eternal City was eagerly
sought for by photographic amateurs. In the Art Journal for
May, Mr. Thomas has communicated the process by which the
photographers of Home produce their best effects ; and as this is
very important, as being useful in hot climates, a sufficient portion
of that communication is transferred to these pages.