A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
Søgning i bogen
Den bedste måde at søge i bogen er ved at downloade PDF'en og søge i den.
Derved får du fremhævet ordene visuelt direkte på billedet af siden.
Digitaliseret bog
Bogens tekst er maskinlæst, så der kan være en del fejl og mangler.
TO DEVELOPE THE IMAGE FORMED ON THE PLATE. 249
card-board, where it is not operated on. The plate is sustained
a little above the charged cotton by frames of hard wood var-
nished with gum lac. By increasing the distance between the
cotton and the plate, or the contrary, we are enabled to suit the
arrangement to the temperature of the season, and thus always
operate with facility and promptitude. M. Seguier also states,
that a single scouring with tripoli, moistened with acidulated
water, is sufficient to cleanse the plates thoroughly, and does away
with the tedious process of scouring with oil, and afterwards
the operation of heating the tablet over a spirit lamp. M.
Soliel lias proposed the use of the chloride of silver to determine
the time required to produce a good impression on the iodated
plate in the camera. His method is to fix at the bottom of a
tube, blackened within, a piece of card, on which chloride of
silver, mixed with gum or dextrine, is spread. . The tube thus
disposed is turned towards the object of which we wish to
take the image, and the time that the chloride of silver takes
to become of a grayish slate colour will be the time required for the
radiations in the camera to produce a good effect on the iodated
• silver.
These remarks have been introduced as supplementary to
the generally approved modes, as they are suggestive in them-
selves of still further improvements.
Section IV.—To Develops the Image formed on the Plate.
The plate, prepared by one of the methods directed, has been
placed in the camera, and the image impressed upon it. The
more important points to be attended to form the subject of a
separate chapter.
The image is developed on the daguerreotype plate, as has
been already described, by the use of mercurial vapour. In the
original process (Big. 10) one form of a mercurial vapour box
is given ; and Big. 66, d, represents another.
It matters little in what manner the plate is placed in the
mercurial bath; the mercury should be volatilized very slowly,
and the image allowed to have its full development before it is
removed from the box. Care should be taken that the operator
avoids as much as possible contact with the mercurial vapour,
since continued exposure to its influence might lead to serious
inconvenience.
M. Claudet has adopted a most admirable arrangement in
this respect, as is shewn in the woodcut on the following page.