A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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266
PRACTICE OF PHOTOGRAPHY.
carry the hand forward; immediately blow upon the face of the
plate, which has the effect not only of diffusing it over the sur-
face, but causes the solution to combine more equally with the
damp surface of the plate: it also has the effect of keeping any
deposit that may form in motion, which, if allowed to settle,
causes the picture to come out mottled. A piece of white paper
may now be held under the plate, to observe the development of
the picture, if the light of the room is adapted for viewing it in
this manner well ; if not, a light must be held below, but in either
case arrangements should be made to view the plate easily whilst
under this operation, a successful result depending so much upon
obtaining sufficient development without carrying it too far.
As soon as the necessary development has been obtained, the
liquor must be poured off, and the surface washed with a little
water, which is easily done by holding the plate over a dish and
pouring water on it, taking care, both in this and a subsequent
part of the process, to hold the plate horizontally, and not ver-
tically, so as to prevent the coating being torn by the force and
weight of the water.
Fixing of image.—This is simply the removal of iodine
from the surface of the plate, and is effected by pouring over it,
after the water, a solution of hyposulphite of soda, made of the
strength of 4 oz. to a pint of water. At this point daylight may
be admited into the room ; and, indeed, we cannot judge well
of its removal without it. We then see, by tilting the plate to
and fro, the iodide gradually dissolve away, and the different
parts left more or less transparent, according to the action of
light upon them.
It then only remains to thoroughly wash away every trace of
hyposulphite, for, should any of the salt be left, it gradually
destroys the picture. The plate should, therefore, either be im-
mersed with great care in a vessel of clean water, or, what is
better, water poured gently and carefully over the surface.
After this it must be stood up to dry, or held before a fire.
We have now carried the operator carefully through every
stage of the process, from the cleaning of plate to the fixing of
image ; but our remarks have reference to collodio-iodide alone ;
that is, gun-cotton dissolved in ether, charged with an iodide of
silver. We cannot, however, consider our task finished without
mentioning the addition of gutta percha to the collodion. This
valuable discovery was made by Mr. P. W. Fry, to which gentle-
man belongs some of the most important steps made in the art.
The sensibility of the plates appears to be more materially in-
creased by the addition of the gutta percha ; indeed, pictures by
superposition may be obtained with absolute instantaneity, and
in the camera obscura in less than a second of time.