A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
Søgning i bogen
Den bedste måde at søge i bogen er ved at downloade PDF'en og søge i den.
Derved får du fremhævet ordene visuelt direkte på billedet af siden.
Digitaliseret bog
Bogens tekst er maskinlæst, så der kan være en del fejl og mangler.
4
HISTORY OF PHOTOGRAPHY.
It has been stated—but on doubtful authority—that the jug-
glers of India were for many ages in possession of a secret
process, by which they were enabled in a brief space to copy the
profile of any individual by the action of light. However this
may have been, it does not appear that they know anything of
such a process in the present day.
The alchemists, amidst the multiplicity of their manipulatory
processes, in their vain search for the philosopher’s stone and the
elixir vitæ, stumbled upon a peculiar combination of silver with
chlorine, whieli they called horn silver—as, by fusion, the white
powder they obtained by precipitation was converted into a
horn-like substance, chlorine as a chemical element being un-
known to them. They observed that this horn silver was blackened
by light, and as they taught that “ silver only differed from gold
in being mercury interpenetrated by the sulphureous principle
of the sun’s rays,” they concluded that this change was the
commencement of the process by which their dreams were to be
realised. Failing, however, to produce gold from horn silver,
the fact of its blackening was simply recorded, and no further
investigations were made into this remarkable phenomenon.
Petit, in 1722, noticed that solutions of nitrate of potash and
muriate of ammonia crystallised more readily in the light than
they did in darkness.
The illustrious Scheele (1777), in his admirable Traité de
V Air et du Feu, gave us the first philosophical examination of the
peculiar change in the salts of silver, and showed the dissimilar
powers of the different rays of light in effecting this change.
He writes, “ It is well known that the solution of silver in acid
of nitre poured on a piece of chalk, and exposed to the beams of
the sun, grows black. The light of the sun reflected from a
white wall has the same effect, but more slowly. Heat without
light has no effect on this mixture.” Again, “ Fix a glass prism
at the window, and let the refracted sun-beams fall on the floor;
in this coloured light put a paper strewed witli luna cornua, and
you will observe that this horn-silver grows sooner black in the
violet ray than in any of the other rays.”
Senebier repeated these experiments, and he states that he
found chloride of silver darkened in the violet ray in fifteen
seconds to a shade which required the action of the red ray for
twenty minutes. He also experimented on the influence of light
in bleaching wax.
In the Philosophical Transactions for 1798 will be found a
memoir by Count Rumford, entitled, " An Inquiry concerning
the Chemical Properties that have been attributed to Light.” In
tins paper a number of experiments are brought forward to prove