A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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THE CALOTYPE.
23
east without essentially altering, the causes which produce their
c iarm; and then, tor the purposes which I have mentioned,
papers very susceptible of impression would still have the advan-
ages of being less troublesome in removal from place to place,
as also of more easy preservation.
The utility of sensitive papers for copying texts was a natural
consequence of the clearness of the copies of engravings which
Mr. lalbot had already obtained by application, and which were
presented to the Academy. He has included others among those
just sent: there are also added specimens of this especial appli-
cation consisting of copies of a Hebrew psalm, of a Persian
Suzette, and of an old Latin chart of the year 1279. Our
re neu of the Académie des Belles Lettres, to whom I exhibited
hese impressions, were pleased to remark the fidelity of the
c ^racters, and their clearness, by whieli they are rendered as
egible as the original text. Doubtless an old manuscript may
be copied more quickly and more accurately by this means than
by hand, oven when the language in whieli it is written is
understood. However, we must stop here. These copies are
obtained by application: we must be enabled to obtain them by
immediate radiation in the camera obscura. It is the only
means of extending the process to papyrus and other opaque
manuscripts, or which are not sufficiently transparent for radia-
tion to traverse them. Moreover, the application of leaves is
very difficult when they are bound up in a volume, and cannot
be detached from one another.
But tliis important extension will require much physical per-
tectmg, towards which experimenters should direct their efforts.
The first thing will be to augment the sensibility of the paper as
much as possible, in order that the capillary communication of
its various parts may not have sufficient time to deteriorate the
effects of the local and immediate action of the radiation. I
should be led to believe that it is principally to this kind of
communication should be attributed the fact remarked by Mr.
lalbot, that, in experiments by application, it is more difficult
to copy clearly a tissue of black lace spread on a white ground,
than white lace on a black ground ; two cases of whieli he here
gives examples. But another more hidden and more general
difficulty seems to me to proceed from the unequal faculty of
various substances for reflecting the radiations which strike
them, and perhaps from their aptitude for making them undergo
physical modifications. For example, you wish to copy by
radiation in the camera obscura a picture painted on canvas
wood, or porcelain : the different colouring substances employed
by the painter are placed and distributed in such a manner that