A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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OO HISTOBY OF PHOTOGBAPHY.
discoveries that honour their native land,” on the argument that
the invention did not admit of being secured by patent, for as
soon as published all might avail themselves of its advantages,”
that it should have been guarded by a patent right in
England, which has, however, nearly run its course.
From the primary importance of this very beautiful branch of
tue photographic art, I shall devote some space to a description
of the original process, reserving for the division devoted to the
manipulatory details the description of each improvement which
lias been published, having any practical advantage, either by
lessening the labour required, or reducing the expense.
Ehe pictures of the daguerreotype are executed upon thin
sheets of silver plated on copper. Although the copper serves
principally to support the silver foil, the combination of the
two metals appears to tend to the perfection of the effect. It
is essential that the silver should be very pure. The thickness
of the copper should be sufficient to maintain perfect flatness,
and a smooth surface ; so that the images may not be distorted
by any warping or unevenness. Unnecessary thickness is to
be avoided on account of the weight.
The process is divided by Daguerre into five operations. The
first, consists in cleaning and polishing the plate, to fit it for
receiving the sensitive coating.on which light forms the picture.
The second is the formation of the sensitive loduret of silver over
the face of the tablet. The third is the adjusting of the plate in
the camera obscura, for the purpose of receiving the impression.
The fourth is the bringing out of the photographic picture,
which is invisible when the plate is taken from the camera.
The fifth and last operation is to remove the sensitive coating,
and thus prevent that susceptibility of change under luminous
influence, which would otherwise exist, and quickly destroy
the picture.
First Operation.—A small phial of olive oil—some finely
carded cotton—a muslin bag of finely levigated pumice—a phial
of nitric acid, diluted in the proportion of one part of acid to
sixteen parts of water, are required for this operation. The
operator must also provide himself with a small spirit-lamp, and
an iron wire frame, upon which the plate is to be placed whilst
being heated over the lamp. The following figures represent
this frame. The first view is as seen from above. The second
is a section and elevation, showing the manner in which it
is fixed.
The plate being first powdered over with pumice, by shaking
the bag, a piece of cotton dipped into the olive oil is then
carefully rubbed over it with a continuous circular motion, con-