A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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52
HISTORY OF PHOTOGRAPHY.
expect the occurrence of numerous and remarkable cases of this
affection among bodies of that class, but among metallic and
other elements inorganically arranged, instances enough have
already appeared, and more are daily presenting themselves, to
justify its extension to all cases in which chemical elements
may be supposed combined with a certain degree of laxity, and
so to speak in a tottering equilibrium. There can be no doubt
that the process, in a great majority, if not in all, cases which
have been noticed among inorganic substances, is a deoxidising
one, so far as the more refrangible rays are concerned. It is
obviously so in the cases of gold and silver. In that of the
bichi ornate of potash it is most probable that an atom of oxygen
is parted with, and so of many others. A beautiful example of
such deoxidising action on a non-argentine compound has lately
occurred to me in the examination of that interesting salt, the
ferrosesquicyanuret of potassium, described by Mr. Since in the
Philosophical Magazine, No. 109, September 1840, and which
lie has shown how to manufacture in abundance and purity, by
voltaic action on the common, or yellow ferrocyanuret. In this
process nascent oxygen is absorbed, hydrogen given off ; and
the characters of the resulting compound in respect of the oxides
of iron, forming as it does Prussian blue with protosalts of that
metal, but producing no precipitate with its persalts, indicate
an excess of electronegative energy, a disposition to part with
oxygen, or, which is the same thing, to absorb hydrogen (in the
presence of moisture), and thereby to return to its pristine
state, under circumstances of moderate solicitation, such as the
affinity of protoxide of iron (for instance) for an additional dose
of oxygen, Ac.
“Paper simply washed with a solution of this salt is highly
sensitive to the action of light. Prussian blue is deposited (the
base being necessarily supplied by the destruction of one
portion of the acid, and the acid by decomposition of another).
After half an hour or an hour s exposure to sunshine, a very
beautiful negative photograph is the result, to fix which, all that
is necessary is to soak it in water in which a little sulphate of
soda is dissolved, to ensure the fixity of the Prussian blue de^
posited. While dry the impression is dove-colour or lavender
blue, which has a curious and striking effect on the greenish-
yellow ground of the paper, produced by the saline solution.
After washing, the ground colour disappears, and the photograph
becomes bright blue on a white ground. If too long exposed,
it gets ‘ over sunned,' and the tint has a brownish or yellowish
tendency, which however is removed in fixing: but no increase
of intensity beyond a certain point is obtained by continuance
of exposure.