Armour & Weapons
Forfatter: Charles Ffoulkes
År: 1909
Forlag: At The Clarendon Press
Sted: Oxford
Sider: 112
UDK: 623 Ffou
With A Preface By Viscount Dillon, V.P.S.A. Curator Of The Tower Armouries
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ï6 THE AGE OF MAIL chap, i
suggests a leather garment. Now, given either the leather or
the quilted fabric, it is but natural, with the discovery and use
of iron, that it should have been added in one form or another
to reinforce the less rigid material. And it is this reinforcing
by plates of metal, side by side with the use of the interlaced
chain armour, which step by step brings us to the magnificent
creations of the armourer’s craft which distinguish the fifteenth
and sixteenth centuries. f<l
Sir Samuel Meyrick 1 leads us into endless intricacies with his
theories of the various kinds of defensive armour in use at the
time of the Conquest; but these theories must of necessity be
based only upon personal opinion, and can in no way be borne
out by concrete examples. If we take the pictured representations
of armour as our guide we find certain arrangements of lines which
lead us to suppose that they indicate some peculiar arrangement
of metal upon a fabric. The first and oldest of these varieties is
generally called ‘Scale’ or Imbricate armour. We find this
represented on the Trajan Column, to give only one of the many
examples of its use in very early times. That it was a very pliant
and serviceable defence we may judge from the fact that, with
some alteration in its application, it formed the distinguishing
feature of the Brigandine of the fifteenth century. The scales were
sewn upon a leather or quilted garment, the upper row overlapping
the lower in such a manner that the attachment is covered and
protected from injury (Plate I, i). The scales were either formed
with the lower edge rounded, like the scales of a fish, or were
feather-shaped or square.
Another method of reinforcing the leather defence has been
named the ‘ Trellice ’ coat. It is always difficult to discover
exactly what the primitive draughtsman intended to represent
in the way of fabrics, and it is quite open to question whether
these diagonal lines may not merely suggest a quilting of linen or
cloth. If it is intended to represent leather the trellice lines would
probably be formed of thongs applied on to the groundwork with
1 Archaeologia, xix. 128-30.