Armour & Weapons
Forfatter: Charles Ffoulkes
År: 1909
Forlag: At The Clarendon Press
Sted: Oxford
Sider: 112
UDK: 623 Ffou
With A Preface By Viscount Dillon, V.P.S.A. Curator Of The Tower Armouries
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PLATE ARMOUR
CHAP. IV
70
ability of the makers. The breastplate is short, and consequently
the taces are more numerous than when the breastplate is longer.
They consist of five lames. From the taces hang four tassets,
two bluntly pointed in front, and two much shorter, and more
sharply pointed, over the hip-bones. The taces are hinged at the
side for convenience in putting on and off. The coudes are large
and of the butterfly-wing type, and the sollerets are of normal
length. In many of the Gothic suits these sollerets, following the
custom in civil dress, were extravagantly long and pointed. This
form is called ‘ à la poulaine while the shorter kind are known
as ‘ demi-poulaine
Some writers are apt to confuse this term ‘ poulaine ’ with
‘ poleyne the knee-cop used in the earlier days of the Transition
Period ; it is needless to point out that they are quite distinct.
Baron de Cosson has put forward a most interesting theory in
connexion with this effigy. He finds a close resemblance between
the armour here portrayed and that shown in the picture of
St. George, by Mantegna, in the Accademia at Venice. The Earl
of Warwick, who is represented on this monument, is known to
have been at Milan in his youth, and to have taken part in tourna-
ments at Verona ; so it is more than probable that he ordered his
armour from the Milanese armourers, of whom the famous Mis-
saglia family were the chief craftsmen, and who made some fine
suits of this Gothic style.
The next distinctive style to be noticed is called the ‘ Maxi-
milian It can hardly be said that this new design was evolved
from the Gothic, though of necessity there must be a certain
similarity between them, at least in constructional detail. It
is more likely, when we consider the individuality of the young
Maximilian, especially as recorded in Hans Burgkmair’s Weiss-
kunig, and his interest in every art, craft, and trade, that it
was a fashion made, so to speak, to order. The Maximilian
Period of armour may be said to last from about 1500 to 1540.
It is distinguished by the radiating fluted channels that spread
from a central 'point in the breastpiece, closely resembling the