On Some Common Errors in Iron Bridge Design
Forfatter: W. C. Kernot
År: 1898
Forlag: FORD & SON
Sted: Melbourne
Sider: 49
UDK: 624.6
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is an immediate consequence. Strange to say, however, owing
to some peculiar warp of the human mind, many persons persist
on fanciful grounds in increasing the cost and diminishing the
strength of structures by the introduction of curved members.
A curious example of this is to be seen in. the evolution, of the
frame of the modern bicycle. For years this vital part was
made of ridiculous shapes presenting complex curves utterly
contrary to scientific principles, and the result was, despite the
most liberal employment of material, straining, weakness, and
frequent fracture. The modern diamond frame, every part of
which is perfectly straight, is thoroughly scientific, and, with
half the material of the earlier frames, is far more rigid and
absolutely free from fracture under ordinary and reasonable
use.
Perhaps the most extraordinary and inexcusable instance of
this fault in modern times is to be seen in the huge and costly
Jubilee Bridge over the Hoogly in India, described and discussed
in the “Proceedings of the Institution of Civil Engineers,'’
Vol. XCII., 1888, an outline of the terminal panels of which
is given in Fig. 16. Here one of two things ought to have been,
done, either AB should have been macle perfectly straight, or the
space C should be plated over, the latter being the only practic-
able remedy now. This grave fault was animadverted upon by
myself in the “ Engineer” of 5th June, 1885, and afterward by Pro-
fessor Max am Ende before the Institution of Civil Engineers,
London. A second and still more recent example is seen in the
Warburton Bridge over the Manchester Ship canal, illustrated in
“Engineering” of 26th January, 1894.
But while condemning as strongly as possible such designs as
the Jubilee and Warburton Bridges, I would make an exception
in favour of many bowstring and hogback girders such as the new
Cremorne Bridge on the Gippsland Railway near Melbourne.
Here the top chord forms a bold and graceful curve, very pleasing
to the eye, but the panel points where the web members come in
are so numerous that the curvature in each panel or length of the
chord is imperceptible. If the chord was made polygonal, each
panel being straight, its outline would not differ visibly from
what it is at present. A chord curved at a large radius and
divided into panels so short as to be practically straight, cannot