Early Work In Photography
A Text-book For Beginners
Forfatter: W. Ethelbert Henry C. E., H. Snowden Ward
År: 1900
Forlag: Dawbarn and Ward, Limited
Sted: London
Udgave: 2
Sider: 103
UDK: IB 77.02/05 Hen
Illustrated with an actual negative and positive, and numerous
explanatory diagrams throughout the text
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38 Early Work in Photography.
pod, lens, and a dozen plates in holders, only weighing four
or five pounds. The cost of such small plates is necessarily
very low (about is. a dozen), and the cost of paper, mounts,
developer, and everything else, is in the same proportion.
Then, again, if a picture should prove of extra interest, and
larger copies be desirable, the negative may be sent to one of
the firms undertaking such work, who will supply an enlarged
negative (of almost any dimensions) at the cost of a few shillings.
Or, if only one or two large prints be required, the negative
may be sent to a trade enlarger, who will make any sized
prints from it at a low charge. Lantern slides may be made
by direct contact, as described in chapter v. These are a few
of the advantages of a small sized camera, but in our opinion
there is but one size worthy the attention of any but painters
or portrait photographers, and that is the one known as
whole plate. 211
The whole-plate camera accommodates plates Os by 02
inches in size, and is, without doubt, far and away the most
serviceable size that is made. It is sufficiently large to pro-
duce pleasing pictures, without further enlargement; the
weight of such an outfit, with six plates ready foi exposure
is not more than can be carried comfortably. The plates
cost about 4/3 a dozen,.and the photographer using such an
outfit, and carrying six plates for the day’s use, is more
likely to bring back six pictures than is the man with the
small outfit and larger number of plates..
The man with the small outfit is too prone to think the
plate only costs a penny, and I have a dozen to use during
the day.” The consequence often is that his plates are
rapidly.used, and when a really striking arrangement of
scenery appears before him, he has no plate left to secure it.
Not so with the other; he is cautious of his plates—not on
account of their cost, but because he carries only six—hence
each composition is very carefully considered, and no ex-
posure made without due thought. . . .
The pleasure of developing a large negative is infinitely
greater than that of a small one, and the resulting prints are
more pleasing If enlarged negatives are desired they can be
as readily made from whole-plate as from quarter-plate, and
enlarged prints can be made with tlie same facility.
Lantern slides can also be made from them by reduction
by almost any trade printer. We sliall treat of tliese subjects
fully in our advanced handbook.
We have said that for artists, journalists, and landscape
photographers, we only recognise the use of two sizes
of cameras; let us now explain why. In the first place