Early Work In Photography
A Text-book For Beginners
Forfatter: W. Ethelbert Henry C. E., H. Snowden Ward
År: 1900
Forlag: Dawbarn and Ward, Limited
Sted: London
Udgave: 2
Sider: 103
UDK: IB 77.02/05 Hen
Illustrated with an actual negative and positive, and numerous
explanatory diagrams throughout the text
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Faels about Lenses.
53
This is simply because light rays from the candle proceed
in all directions, and while the rays proceeding through the
centre of the pin-hole are making a definite image, those
passing through the upper part of the hole are making an-
other, while those passing through the bottom and the sides
of the hole are all making their own images and the result
is confusion.
Fig. 12.
As the hole is further enlarged, the image constantly
becomes brigliter, and constantly more indistinct until it is
simply a circular patch of light, with no resemblance to
the shape of the candle flame. This would, perhaps, be
more easily and clearly understood if instead of the one large
hole, four or five-pin holes are made at about a quarter
inch distance from a common centre. The blurring of the
image will be seen easily; and the large hole acts as an in-
finite number of smaller ones.
If we return to our original small pin-hole and take the
camera out of doors, we shall find that an image of any
fairly lighted natural object toward which the pin-hole is
directed will fall (in an inverted position) upon the ground
glass. If we cover our heads and the back of the camera
with the focussing cloth we shall see that the image, though
faintly illuminated, is clear and sharp, and if we expose a
sensitive plate to this image, an impression is made which
can be developed into a negative. But the amount of light
passing through the pin-hole is so small that it must act for
a long time (i.e. we must give a long “exposure”) in order to
make a strong impression. But in photography we must
face the fact that we wish to make our exposures as
short as possible, especially when the objects to be photo-
graphed are in motion (say express trains or unruly
children). This brings us to the problem which led to
the use of lenses in photography—the desire to use a big
hole, in order to pass plenty of light, combined with the
necessity of keeping the image " sharp " and well defined.
The lack of sharpness when the rays passed through the
large hole was seen to be due to the want of coincidence between