Early Work In Photography
A Text-book For Beginners
Forfatter: W. Ethelbert Henry C. E., H. Snowden Ward
År: 1900
Forlag: Dawbarn and Ward, Limited
Sted: London
Udgave: 2
Sider: 103
UDK: IB 77.02/05 Hen
Illustrated with an actual negative and positive, and numerous
explanatory diagrams throughout the text
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Facts about Lenses.
57
of our light (and rapidity of exposure) for extra sharpness of
image. And as circumstances vary, so that at one time
sharpness of image, and at another time shortness of ex-
posure is the more important, the lens-makers provide a
series of “ stops,” so that the photographer may use a large
or a small one, as circumstances require.
This form of lens is exceedingly useful for all ordinary
landscape work, groups, and portraits, but it has certain de-
fects which become very apparent when we use it for copying
plans, or for photographing buildings and other objects, in
which there are straight lines near the edge of the picture.
Curvilinear Distortion is the chief difficulty in this
direction, and though it is rather difficult to explain, we may
be able to make it fairly clear by an exaggerated example. We
Fig. 16.
may say that the defect is introduced by the stop or small
aperture that we provided to remedy the aberration just
mentioned. This stop cuts off the rays proceeding from the
corners of the house to the centre of the lens, so that the
image of corners and outer lines is formed entirely by rays
passing throught the outer portions of the lens, while the
image of the central part (say, the top of the door) is formed
almost entirely by rays passing through or near the centre
of the lens. The outer part of lens deflects the rays most
strongly, so that the width and height of the house become
diminished in proportion to the width and height of the
door which is near the centre; while the corners are de-
flected more strongly than the centres of the walls, because
tliey are more distant from the lens centre.
Curvature of Field is another difficulty with lenses. In
our diagrams of the candle-flame we have represented the
image as coming to a focus on a plane surface, as a flat
ground-glass screen. As a matter of fact this does not
happen, but the image comes to a focus on a curved field.
The line C C represents such a curved field, and it will be
it once seen that if the plate (or ground-glass) is placed at
A, the central part of the object will be sharp, while the top
and bottom of the candle-flame will be out of focus. If the