Early Work In Photography
A Text-book For Beginners
Forfatter: W. Ethelbert Henry C. E., H. Snowden Ward
År: 1900
Forlag: Dawbarn and Ward, Limited
Sted: London
Udgave: 2
Sider: 103
UDK: IB 77.02/05 Hen
Illustrated with an actual negative and positive, and numerous
explanatory diagrams throughout the text
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68 Early Work in Photography.
(carrying the lens) is extended as far as it will go, without
using the second extension which is actuated by the milled
focussing screw. It is just possible that the lens is too
far from the screen to give an image of correct focus,
so we must release the clamping screws and move the
lens-board nearer to the ground glass, at the same time
keeping the head under the foe ussing cloth and closely
observing the appearance of the image. If this does not
become quite clear and distinct, we must return the lens
to its original position and clamp it. We must next resort
to the milled screw and turn it towards the lens; this will
bring the “double extension” into action, and move the lens
still farther from the focussing screen. As the image is
gradually seen to become sharper and better defined, it must
be watched closely until it finally begins to go out of focus
again. At this stage the focussing screw must be turned in
the opposite direction until some object in the centre of the
screen is at its sharpest possible focus. It will be well for
the student to move the lens back and fortli till this one par-
ticular object is absolutely sharply defined. Upon now
turning his attention to the marginal objects he will notice
that they are all more or less blurred, or out of focus. The
student must now try and divide his attention between the
central object and an object in one of the margins of the screen
while he very gradually turns the focussing screw first one
way and then another: He will now observe that, by the
time the marginal point is sharply focussed, the central
object is slightly blurred. He must now focus (as nearly as
possible) an average between tliese points and then try the
effect of using a “stop.” Insert the stop, marked (say) //n,
in the place provided for it in the lens; or, if the stops
are not so marked, insert the one having the largest opening
but one. Then (without disturbing it in any way) again care-
fully examine the focussing screen. Owing to the action of
tlie stop (which, of course, intercepts a certain amount of
light) the image will appear much less brilliant than before,
but the general focus will be more clearly defined. The
marginal and central objects will appear almost equally
sharp, but the student had better try the effect of again
using the focussing screw. After racking the lens back
and fortli several times (letting it slightly pass the point
of extreme definition each time) lie may try the effect of using
a still smaller stop.
By tlie time he has tried several experiments with each
stop, he will note that the smaller stops reduce the lumin-
osity of the image, while they increase its definition. When