A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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CHAPTER VIII.
PORTRAITURE BY THE DAGUERREOTYPE.
When Daguerre published his process, a period of twenty
minutes was required to obtain a good copy of any external
object: hence this period was far too long to admit of its being
employed for portraiture.
Mr. Towson, of Devonport, in a very valuable paper which
appeared in the Philosophical Magazine in 1839, offered several
suggestions on the use of large lenses, &c. which he supposed
might lead to the use of the daguerreotype for the purposes of
portraiture.
Dr. Draper, of New York, acting on the suggestions of Mr.
Towson relative to the adjustment of the focus, succeeded in
accelerating his process so far as to obtain portraits from the
life. He published his process in the London and Edinburgh
Philosophical Magazine for September 1840. From this paper
1 shall take the liberty of making copious extracts. It was
first stated that it was necessary, to procure any impression of
human features on the daguerreotype plate, to paint the face
white, or dust it over with a white powder, it being thought that
the light reflected from the flesh would not have sufficient power
to change the iodized surface. This has been shown to be an
error, for, even when the sun shines but dimly, there is no
difficulty in obtaining a correct delineation of the features.
“When the sun, the sitter, and the camera, are situated in
the same vertical plane, if a double convex non-achromatic lens
of four inches diameter and fourteen inches focus be employed,
perfect minatures can be procured in the open air in a period
varying with the character of the light from 20 to 90 seconds.
The dress also is admirably given, even if it should be black;
the slight differences of illumination are sufficient to characterise
it, as well as to show each button and button-hole, and every
fold. Partly owing to the intensity of such light, which cannot
be endured without a distortion of the features, but chiefly
owing to the circumstance that the rays descend at too great
an angle, such pictures have the disadvantage of not exhibiting
the eyes with distinctness, the shadow from the eyebrows and
forehead encroaching on them. To procure fine proofs, the best
position is to have the line joining the head of the sitter and