A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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PORTRAITURE BY THE DAGUERREOTYPE.
105
the camera so arranged as to make an angle with Ike meld
rays of less than ten degrees, so that all the spacedme»th.the
eyebrows shall he illuminated, and a slight shadow east trom
the nose. This involves, obviously, the use of reLecting mnrors
to direct the ray. A single mirror would answer , and would
economise time, but in practice it is often c°nv®7“‘^
two - one nlaeed, with a suitable mechanism, to direct the rays
to vertices, and the second above it, to direct them m an
invariable course towards the sitter.
- On a bright day, and with a sensitive plate, lorads can h
obtained in the course of five or seven minutes in th diffused
day-light. The advantages, however, which might be suppom
to accrue from the features being more composed and of a
natural aspect, are more than counterbalanced by tli.e totoculty
of retaining them so long in one cons an the effulgence
But ill the reflected sunshine, the eye cannot bear the effulgence
of the rays. It is therefore absolutely accessary to pass t^
no more than was necessary. It is not 1 ,.
e-lass is emoloved to make use of a large surface, for it
camera operation be carried on until the proof ^^toes,
no traces can be seen in the portrait of its edges and ^boun
daries; but if the process is stopped at an earlier intoh
there will be commonly found a stam corresponding to the
^Lhe^ chair in "which the sitter is placed has a^aff at its
back, terminating in an iron ring, that suppor stature
arranged as to have motion in directions o।
and any attitude. . By simply res nig the tag
head against this ring, it may be kept sutheieny
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tili back, which, if they are held motionless, are copied with
Sy been stated, that certain pictorial advantages
attend m arrangement in which the light is thrown upon the
face at asm^ angle. This also allows us to get rid entirety of
the shadow from the background, or to compose it more grace-