A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
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144 SCIENTIFIC INVESTIGATIONS ON PHOTOGRAPHY.
placed near the window of a well-lighted room, and so arranged
that, during the whole time of the preparation of the plate, by
exposure first to iodine and afterwards to bromine, it was ex-
posed to full daylight, and by a mechanical arrangement, of too
obvious a nature to render description necessary, the plate was
withdrawn from the bromine vessel into a dark box ; that is to
say, it was withdrawn at the same moment from the influence ot
both light and bromine : on being placed in the camera obscura,
plates so prepared received impressions which by mercurialisation
produced excellent pictures, and there was no trace ot the action
of any light save that of the camera obscura. It follows, then,
that light is incapable of exerting any appreciable influence on
daguerreotype plates during the time they are receiving then-
coatings of iodine and bromine.,
“ Although these experiments afford no information on the
subiect in reference to which they were originally undertaken,
they are yet not without interest, both in their theoretical
bearing and in their practical application. They demonstrate
not only that the change (whatever it may be) effected by light
on silver plates prepared by Daguerre’s process is completely
suspended in the presence ot the vapour ot either iodine or bro-
mine, but that after that change has been produced the impres-
sion may be destroyed, and the plate restored to its original
condition, by a momentary exposure to either of these vapours.
In their practical application, these experiments show that all
the care which has been taken to exclude light from daguerreo-
type plates during their preparation is unnecessary ; that so far
from a dark room being essential to the operations of the da-
guerreotype artist, the light of day may be allowed to fall on
the plate during the whole time of its preparation; and that it
is onlv necessary to withdraw it at the same moment from the
action of bromine and light by sliding it from the bromine vessel
into the dark box in which it is carried to the camera obscura;
and where, from the situation or otherwise, there is a difficulty
in observing the colour of the plate during the process of iodizing,
it may be removed from the iodine vessel, and its colour examined
by the direct light of the sun, without risk or injury: for when
returned to the iodine or bromine vessel for a moment, the effect
of light is wholly destroyed.
“Perhaps the most valuable practical application ot these tacts
is in the use of the same plate for receiving several impressions.
When, on taking the portrait or picture ot any object liable to
move, there is reason to suppose that the motion ot the person
or object has rendered the operation useless, it is not necessary
to throw aside the plate on whieli the imperfect impression lias