A Manual Of Photography
Forfatter: Robert Hunt
År: 1853
Forlag: John Joseph Griffin & Co.
Sted: London
Udgave: 3
Sider: 370
UDK: 77.02 Hun
Third Edition, Enlarged
Illustrated by Numerous Engrabings
Søgning i bogen
Den bedste måde at søge i bogen er ved at downloade PDF'en og søge i den.
Derved får du fremhævet ordene visuelt direkte på billedet af siden.
Digitaliseret bog
Bogens tekst er maskinlæst, så der kan være en del fejl og mangler.
ON THE THEORY OF THE DAGUERREOTYPE.
145
been taken, and resort to the tedious process of cleaning and
preparing another ; it is only necessary to treat the plate in
the manner already pointed out, and it is again equal in every
respect to a newly-prepared plate ; and this treatment may be
repeated, until, by the slow accumulation of too thick a film of
iodide of silver, the plate no longer possesses the same degree of
sensitiveness to light."
The researches of M. Claudet are of considerable importance,
particularly as the observation of a thoroughly practical photo-
graphic artist.
The phenomena which M. Claudet considers have not yet
been satisfactorily explained, and of which he treats, are those
referring to the following points:—
1. "What is the action of light on the sensitive coating?
2. How does the mercurial vapour produce the daguerreotype
image ?
3. Which are the particular rays of light that impart to the
chemical surface the affinity for mercury?
4. What is the cause of the difference in achromatic lenses
between the visual and photogenic lenses? why do they con-
stantly vary ?
5. What are the means of measuring the photogenic rays,
and of finding the true focus at which they produce the image?
At the meeting of the British Association at Swansea, M.
Claudet expressed his opinion that the decomposition of the
chemical surface of the daguerreotype plate, by the action of
certain rays of light, produced on that surface a white precipi-
tate, insoluble in the hyposulphite of soda, which, when examined
by the microscope, had the appearance of crystals reflecting
light, and which, when seen by the naked eye, were the cause of
a positive daguerreotype image. These were probably particles
of pure white silver.
Tire opinion of Daguerre himself, and other writers, was, that
the action of light on the iodide of silver had only the effect of
darkening the surface, and consequently of producing a negative
imao-e. But it escaped them, that, under the darkened iodide »
of silver, another action could take place after a continued ex-
posure to light, and that the hyposulphite of soda washing could
disclose a positive image. M. Claudet proved this fact in ob -
taining, by the action of light only, and without mercury, images
having the same appearance as those developed under the action
of mercurial vapour. This direct and immediate effect of light
is certainly remarkable ; but the daguerreotype process is not
founded on that principle, on account of the slowness of its
action; and it is fortunate that, long before light can produce
L