Rustninger

DIVING HELMET; HELMET AND CORSLET DISCONNECTED TO SHOW DETAILS

Armour of Philep II. Madrid

1. Model of Scale armour; 2. From Bib. Nat. Paris MS 403 XIIth cent; 3. Model of trellice; 4. From Bayeux Tapestry; 5. Model of Ringed armour; 6. From Harl. MS. Brit. Mus. 603, XIth cent; 7. Model of Mail; 8. From the Album of Wilars de Honecort XIIIth cent; 9. Model of Banded Mail; 10. Model of Banded Mail after Meyrick; 11. Model of Banded Mail after Waller; 12. Romance of Alexander Bib. Nat. Paris. circ. 1210

Fig. 1. Probable method of making links for mail

Fig. 2. From the effigy of Hugo Fitz Eudo, Kirkstead, Lincs., thirteenth century; Fig. 3. From a figure in the Cathedral at Constance,thirteenth century; Fig. 4. From the Great Seal of Alexander II of Scotland, thirteenth century; Fig. 5. Brit. Mus. Roy. MS. 20. D. i, thirteenth century

Fig. 6. Detail from the brass of Sir Roger de Trumpington, Trumpington, Camb., 1290; Fig. 8. Add. MS. II. 639, f. 520, thirteenth century

Fig. 10. A, A. Enarmes. B. Guige,

Brigandine in the Musée d'Artillerie, Paris

Fig. II From Roy. MS. 16. G. vi, f. 387, fourteenth century; Fig. 12. Bib. Nat., Paris, Lancelot du Lac, fourteenth century

Fig. 13. Gulielmus Berardi, Firenze, 1289.; Fig. 14. Bib. Nat., Paris, Tristan og Iseult, fourteenth century

Fig. 15. Brass of Sir T. de S. Quentin, Harpham, Yorks, 14020; Fig. 16. Knightly figure in Ash Church, Kent, fourteenth century; Fig. 17. Bib. Nat., Paris, Tite-live, 1350.

Fig. 18. a. The Camail attached to the helm. b. The Camail showing the staples; Fig. 19. Bib. Nat., Paris, Tite-Live, 1350.

Fig. 20. Fourteenth-century helm, Zeughaus, Berlin; Fig. 21. Bib. Nat., Paris, Tite-Live, 1350.

Photograph by Hauser & Menet. Jousting armour of Charles V. Madrid

Fig. 22. The Orle, from the monument of Sir H. Stafford, Bromsgrove, Kent, 1450.

Fig. 23.

Fig. 24. Maximillian breastplate and taces; Fig. 25. Coude or Elbow-cop

1. Bascinet from the tomb of the Black Prince, Ganterbury, XIVth. cent; 2. Visored Bascinet from the statuetteof Sankt Georg, Dijon, XIVth. cent; 3. Salade, Royal Armoury, Turin XVth. cent; 4. Salade with visor and beavor Musee de la porte de Hal, Brussels, XVth. cent; 5. The Brocas Helm, Rotunda Woolwich XVth.-XIVth. cent; 6. Armet, Royal Armoury, Torino; 7. Burgonet, Brit. Mus., XVIth. cent; 8. Burgonet and Buffe, Royal Armoury, Turin XIVth. cent; 9. Morion, Bruxelles, XVIth. cent; 10. Cabasset, Torino, XVIth. cent ; 11. Lobstertailed Pot helmet, Turin, XVIIth cent

Photograph by Viscount Dillon Engraved suit of armour given to Henry VIII by the Emperor Maximilian. Tower

1. Passe.guard; 2. Grand-guard; 3. Tilting cuisse; 4. Half suit for the Stechzeug, Nuremberg 1450-1500 a. Polder mitton b. Lance rest c. Quece

Fig. 26. Soleret; Fig. 27. Method of using sliding rivets

Fig. 28. Gauntlet; Fig. 29. Turning 'lock-pins'; Fig. 30. Gorget

Fig. 31. Armet

AMOUR OF (I) Archduke Sigismond of Tyrol, 1470

Fig. 33. Gothic suit. Turin Armoury; Fig. 34. Maximilian suit. Vienna Armoury, 1523

Fig. 35. Tonlet suit. Madrid; Fig. 36. War suit, 1547. Vienna Armoury

Design for a suit of armour for Sir Henry Lee, from the Almain Armourer's Album

Photograph by Viscount Dillon. Horse armour of the Emperor Maximilian. Tower

Fig. 38. Trapper of Mail, from the Painted Chamber, Westminster, thirteenth century; Fig. 39. Ivory chessman, from Hewitt's Ancient Armour, fourteenth century

Fig. 41. Grotesque helmet, sixteenth century. Nuremberg

Fig. 42. Puffed suit, sixteenth century. Vienna

Fig. 43. Casque after Negroli, sixteenth century. Paris

Fig. 45. Cromwellian pikeman. Tower

2. Sir Robt. de Setvans, 1306 Chartham, - Kent.