Våben

Fig. 115. Luftpistol

Fig. 189. En Kulmine

Photo No. 49. A SUBMARINE ROCK BLAST

Methods of Connecting Electric Detonator Fuses in Series and in Parallel, For Submarine Blasting of Wrecks, Rock, &c

Photo No. 50. BLOWING UP THE S.S. “EGRET” BY THE TRINITY CORPORATION. {“TONITE” USED.)

FIG. 1; FIG. 2; FIG. 3; FIG. 4

FIG. 5; FIG. 6; FIG. 7; FIG. 8

Photo No. 99

Photo No. 107

Simple contact mine

Kanonbænk til 3 Kanoner

Armour of Philep II. Madrid

1. Model of Scale armour; 5. Model of Ringed armour; 6. From Harl. MS. Brit. Mus. 603, XIth cent; 7. Model of Mail; 8. From the Album of Wilars de Honecort XIIIth cent; 9. Model of Banded Mail; 12. Romance of Alexander Bib. Nat. Paris. circ. 1210

Fig. 1. Probable method of making links for mail

Fig. 2. From the effigy of Hugo Fitz Eudo, Kirkstead, Lincs., thirteenth century; Fig. 5. Brit. Mus. Roy. MS. 20. D. i, thirteenth century

Fig. 6. Detail from the brass of Sir Roger de Trumpington, Trumpington, Camb., 1290; Fig. 7. From the monument to Johan le Botiler, St. Bride's, Glamorganshire, 1300; Fig. 8. Add. MS. II. 639, f. 520, thirteenth century

Fig. 9. From the Romance of Alexander, f. 150, Bod Lib., fourteenth century; Fig. 10. A, A. Enarmes. B. Guige,

Brigandine in the Musée d'Artillerie, Paris

Fig. II From Roy. MS. 16. G. vi, f. 387, fourteenth century; Fig. 12. Bib. Nat., Paris, Lancelot du Lac, fourteenth century

1. Sir John d'Aubernourn, 1277, Stoke d'Abernon, Surrey. ; 3. A member of the de Bacon family, c.1320, Gorleston, Suffolk

Fig. 13. Gulielmus Berardi, Firenze, 1289.

Fig. 15. Brass of Sir T. de S. Quentin, Harpham, Yorks, 14020

Fig. 18. a. The Camail attached to the helm. b. The Camail showing the staples

Fig. 20. Fourteenth-century helm, Zeughaus, Berlin; Fig. 21. Bib. Nat., Paris, Tite-Live, 1350.

Photograph by Hauser & Menet. Jousting armour of Charles V. Madrid

Fig. 22. The Orle, from the monument of Sir H. Stafford, Bromsgrove, Kent, 1450.

Fig. 23.

Fig. 24. Maximillian breastplate and taces; Fig. 25. Coude or Elbow-cop

1. Bascinet from the tomb of the Black Prince, Ganterbury, XIVth. cent; 2. Visored Bascinet from the statuetteof Sankt Georg, Dijon, XIVth. cent; 3. Salade, Royal Armoury, Turin XVth. cent; 4. Salade with visor and beavor Musee de la porte de Hal, Brussels, XVth. cent; 5. The Brocas Helm, Rotunda Woolwich XVth.-XIVth. cent; 6. Armet, Royal Armoury, Torino; 7. Burgonet, Brit. Mus., XVIth. cent; 8. Burgonet and Buffe, Royal Armoury, Turin XIVth. cent; 9. Morion, Bruxelles, XVIth. cent; 10. Cabasset, Torino, XVIth. cent ; 11. Lobstertailed Pot helmet, Turin, XVIIth cent

Photograph by Viscount Dillon Engraved suit of armour given to Henry VIII by the Emperor Maximilian. Tower

1. Passe.guard; 2. Grand-guard; 3. Tilting cuisse; 4. Half suit for the Stechzeug, Nuremberg 1450-1500 a. Polder mitton b. Lance rest c. Quece

Fig. 26. Soleret; Fig. 27. Method of using sliding rivets

Fig. 28. Gauntlet; Fig. 29. Turning 'lock-pins'; Fig. 30. Gorget

Fig. 31. Armet

Fig. 32. Archer wearing jack. From the Beauchamp Pageants, fifteenth century

AMOUR OF (I) Archduke Sigismond of Tyrol, 1470

Fig. 33. Gothic suit. Turin Armoury

Fig. 35. Tonlet suit. Madrid; Fig. 36. War suit, 1547. Vienna Armoury

Design for a suit of armour for Sir Henry Lee, from the Almain Armourer's Album

Fig. 37. Pavis. Cotton MS. Julius E. iv, 1485

Photograph by Viscount Dillon. Horse armour of the Emperor Maximilian. Tower

Fig. 38. Trapper of Mail, from the Painted Chamber, Westminster, thirteenth century; Fig. 39. Ivory chessman, from Hewitt's Ancient Armour, fourteenth century

Fig. 40. Horse armour. A, Chamfron ; B, Crinet ; C, Peytral ; D, Flanchards ; E, Arçon ; F, Cantel ; G, Crupper ; H, Tail-guard ; J, Metal rein-guard ; K, Glancing-knob

Fig. 41. Grotesque helmet, sixteenth century. Nuremberg

Fig. 42. Puffed suit, sixteenth century. Vienna

Fig. 43. Casque after Negroli, sixteenth century. Paris

Fig. 44. Pageant shielt, sixteenth century. Vienna

Fig. 45. Cromwellian pikeman. Tower

Fig. 46. Sword-hilts

Fig. 47. A, Pommel ; B, Grip ; C, Knucklebow ; D, D, Quillons ; E, Counter-guard ; F, Pas d'âne ; G, Ricasso ; H, Blade; Fig. 48. Schiavona.

Fig. 49. Two-hand sword

1. Voulge; 2. Halbard; 3. Glaive; 4. Ranseur or Spetum ; 5. Partizan; 6. Spontoon; 7. Gisarme; 8. Pike; 9. Mace; 12. Holy Water sprinkler; 13. Bill; 14. Lance and Vamplate ; 16. Sections of Lance shafts, Tower

Fig. 50. Morning Star

Fig. 51. Crossbow and goat's-foot lever

Fig. 1. Øverst: Whiteheads første torpedo. I midten: En torpedo i længdesnit. Nederst: Luppis’ torpedo (oprindelsen til Whiteheads).

Fig. 3. Maskinen.

Fig. 5. Torpedosprængning

Fig. 6. Forankring med flyder.

Fig. 7. Forankring med ankerlod.

Pistol nævnt i forbindelse med forfatterens behov for garanteret andtænding

Kugle med en krog fastgjort til den, til at indtrænge og hægte sig fast på et skibsvrag; Kanon kugle med vådt, brænd-resistant reb for adgang til vrag

Eksempel på bedste løsning for opbevaring af reb til skibsvrag indhentning

Fig. 42. - Le Français moderne (gravure allemande).

Torpeder Och Minor