Militær & Brandvæsen

Brandventil

Fig. 5. Engelsk Militærlastvogn med Kulgas paa Staalflasker.

Gammeldags Soldatervask

Fig. 115. Luftpistol

Fig. 189. En Kulmine

Fig. 1. Prøve med vævede stoffer

Fig. 2. Flammesikret og ubehandlet bomuldsflonel

Fig. 3. Le Chatelier-Pyrometer

Fig. 4. viser Resultatet paa et Antal Prøvestykker, baade af ubehandlet og flammesikkert Træ af forskellige Træsorter

Fig. 5. Forsøgshus udsat for Flammen fra tre store Bunsensbrændere.

Imprægneret. Paavirket af Ild 45 Min.; Uimpreægneret. Paavirket af Ild 6 Min.

Imprægneret. Paavirket af Ild 50 Min.; Uimprægneret. Paavirket af Ild 14 Min.

Imprægneret. Paavirket af Ild 20 Min.; Uimprægneret. Paavirket af Ild 4 à 6 Min.

Photo No. 3. In this tank new recruits to the Diving Class receive their initial training before diving in open water

DIVING HELMET; HELMET AND CORSLET DISCONNECTED TO SHOW DETAILS

Photo No. 49. A SUBMARINE ROCK BLAST

Methods of Connecting Electric Detonator Fuses in Series and in Parallel, For Submarine Blasting of Wrecks, Rock, &c

Photo No. 50. BLOWING UP THE S.S. “EGRET” BY THE TRINITY CORPORATION. {“TONITE” USED.)

FIG. 1; FIG. 2; FIG. 3; FIG. 4

FIG. 5; FIG. 6; FIG. 7; FIG. 8

Photo No. 58. ONE OF THE DIVERS ABOUT TO DESCEND

Photo No. 59. Position of the Vessel after she had been dismantled

Photo No. 60. One of the Steel Pontoons being placed in position

Photo No. 61. One of the Pontoons being sunk

Photo No. 62. The Ship righting. The tripods are clearly shown

Photo No. 63. CENTRIFUGAL PUMPS AT WORK

Photo No. 64. The Vessel afloat. Two of the Pontoons alongside

Photo No. 99

Photo No. 107

Simple contact mine

Kanonbænk til 3 Kanoner

BRUXELLES Louvain BRÜSSEL Löwen

Et Armékorps Marche i Løbet af 3-4 Dage

Krig

Fig. 9

Armour of Philep II. Madrid

1. Model of Scale armour; 2. From Bib. Nat. Paris MS 403 XIIth cent; 3. Model of trellice; 4. From Bayeux Tapestry; 5. Model of Ringed armour; 6. From Harl. MS. Brit. Mus. 603, XIth cent; 7. Model of Mail; 8. From the Album of Wilars de Honecort XIIIth cent; 9. Model of Banded Mail; 10. Model of Banded Mail after Meyrick; 11. Model of Banded Mail after Waller; 12. Romance of Alexander Bib. Nat. Paris. circ. 1210

Fig. 1. Probable method of making links for mail

Fig. 2. From the effigy of Hugo Fitz Eudo, Kirkstead, Lincs., thirteenth century; Fig. 3. From a figure in the Cathedral at Constance,thirteenth century; Fig. 4. From the Great Seal of Alexander II of Scotland, thirteenth century; Fig. 5. Brit. Mus. Roy. MS. 20. D. i, thirteenth century

Fig. 6. Detail from the brass of Sir Roger de Trumpington, Trumpington, Camb., 1290; Fig. 7. From the monument to Johan le Botiler, St. Bride's, Glamorganshire, 1300; Fig. 8. Add. MS. II. 639, f. 520, thirteenth century

Fig. 9. From the Romance of Alexander, f. 150, Bod Lib., fourteenth century; Fig. 10. A, A. Enarmes. B. Guige,

Brigandine in the Musée d'Artillerie, Paris

Fig. II From Roy. MS. 16. G. vi, f. 387, fourteenth century; Fig. 12. Bib. Nat., Paris, Lancelot du Lac, fourteenth century

1. Sir John d'Aubernourn, 1277, Stoke d'Abernon, Surrey. ; 2. Sir Robt. de Setvans, 1306 Chartham, - Kent.; 3. A member of the de Bacon family, c.1320, Gorleston, Suffolk; 4. Sir John D'Aubernoun, 1327 Stoke D'Abernon, Surrey.; 5. William de Aldeburgh, c. 1360, Aldborough, Yorks.; 6. A Knight, c. 1400, Laughton, Lincolnshire.

Fig. 13. Gulielmus Berardi, Firenze, 1289.; Fig. 14. Bib. Nat., Paris, Tristan og Iseult, fourteenth century

Fig. 15. Brass of Sir T. de S. Quentin, Harpham, Yorks, 14020; Fig. 16. Knightly figure in Ash Church, Kent, fourteenth century; Fig. 17. Bib. Nat., Paris, Tite-live, 1350.

Fig. 18. a. The Camail attached to the helm. b. The Camail showing the staples; Fig. 19. Bib. Nat., Paris, Tite-Live, 1350.

Fig. 20. Fourteenth-century helm, Zeughaus, Berlin; Fig. 21. Bib. Nat., Paris, Tite-Live, 1350.

Photograph by Hauser & Menet. Jousting armour of Charles V. Madrid

Fig. 22. The Orle, from the monument of Sir H. Stafford, Bromsgrove, Kent, 1450.

Fig. 23.

Fig. 24. Maximillian breastplate and taces; Fig. 25. Coude or Elbow-cop

1. Bascinet from the tomb of the Black Prince, Ganterbury, XIVth. cent; 2. Visored Bascinet from the statuetteof Sankt Georg, Dijon, XIVth. cent; 3. Salade, Royal Armoury, Turin XVth. cent; 4. Salade with visor and beavor Musee de la porte de Hal, Brussels, XVth. cent; 5. The Brocas Helm, Rotunda Woolwich XVth.-XIVth. cent; 6. Armet, Royal Armoury, Torino; 7. Burgonet, Brit. Mus., XVIth. cent; 8. Burgonet and Buffe, Royal Armoury, Turin XIVth. cent; 9. Morion, Bruxelles, XVIth. cent; 10. Cabasset, Torino, XVIth. cent ; 11. Lobstertailed Pot helmet, Turin, XVIIth cent

Photograph by Viscount Dillon Engraved suit of armour given to Henry VIII by the Emperor Maximilian. Tower

1. Passe.guard; 2. Grand-guard; 3. Tilting cuisse; 4. Half suit for the Stechzeug, Nuremberg 1450-1500 a. Polder mitton b. Lance rest c. Quece

Fig. 26. Soleret; Fig. 27. Method of using sliding rivets

Fig. 28. Gauntlet; Fig. 29. Turning 'lock-pins'; Fig. 30. Gorget

Fig. 31. Armet

Fig. 32. Archer wearing jack. From the Beauchamp Pageants, fifteenth century

AMOUR OF (I) Archduke Sigismond of Tyrol, 1470

Fig. 33. Gothic suit. Turin Armoury; Fig. 34. Maximilian suit. Vienna Armoury, 1523

Fig. 35. Tonlet suit. Madrid; Fig. 36. War suit, 1547. Vienna Armoury

Design for a suit of armour for Sir Henry Lee, from the Almain Armourer's Album

Fig. 37. Pavis. Cotton MS. Julius E. iv, 1485

Photograph by Viscount Dillon. Horse armour of the Emperor Maximilian. Tower

Fig. 38. Trapper of Mail, from the Painted Chamber, Westminster, thirteenth century; Fig. 39. Ivory chessman, from Hewitt's Ancient Armour, fourteenth century

Fig. 40. Horse armour. A, Chamfron ; B, Crinet ; C, Peytral ; D, Flanchards ; E, Arçon ; F, Cantel ; G, Crupper ; H, Tail-guard ; J, Metal rein-guard ; K, Glancing-knob

Fig. 41. Grotesque helmet, sixteenth century. Nuremberg

Fig. 42. Puffed suit, sixteenth century. Vienna

Fig. 43. Casque after Negroli, sixteenth century. Paris

Fig. 44. Pageant shielt, sixteenth century. Vienna

Fig. 45. Cromwellian pikeman. Tower

Fig. 46. Sword-hilts

Fig. 47. A, Pommel ; B, Grip ; C, Knucklebow ; D, D, Quillons ; E, Counter-guard ; F, Pas d'âne ; G, Ricasso ; H, Blade; Fig. 48. Schiavona.

Fig. 49. Two-hand sword

1. Voulge; 2. Halbard; 3. Glaive; 4. Ranseur or Spetum ; 5. Partizan; 6. Spontoon; 7. Gisarme; 8. Pike; 9. Mace; 10. Lochaber axe; 11. Pole axe; 12. Holy Water sprinkler; 13. Bill; 14. Lance and Vamplate ; 15. Lance points for war and joust, Madrid; 16. Sections of Lance shafts, Tower

Fig. 50. Morning Star

Fig. 51. Crossbow and goat's-foot lever; Fig. 52. Crossbow and windlass

Fig. 1. Øverst: Whiteheads første torpedo. I midten: En torpedo i længdesnit. Nederst: Luppis’ torpedo (oprindelsen til Whiteheads).

Fig. 3. Maskinen.

Fig. 4. Fjedergyroskopet.

Fig. 5. Torpedosprængning

Fig. 6. Forankring med flyder.

Fig. 7. Forankring med ankerlod.

Pistol nævnt i forbindelse med forfatterens behov for garanteret andtænding

Kugle med en krog fastgjort til den, til at indtrænge og hægte sig fast på et skibsvrag; Kanon kugle med vådt, brænd-resistant reb for adgang til vrag

Eksempel på bedste løsning for opbevaring af reb til skibsvrag indhentning

Fig. 2. Kriegswagen mit Windråadern (1755).

Fig.12. Erster englischer Versuchstank.

Fig. 14. Englischer Tank Mark IV (weiblich).

LE PREMIER CONSUL FRANCHISSANT LE MONT SAINT-BERNARD ( TABLEAU DE DAVID — MUSÉE DE VERSAILLES )

Siége de Toulon. D'aprés un dessin au lavis de la collection Henning.

Fig. 14. - Reprise de la ville de Toulon par les armées de la République. Gravure de la collection Hennin.

Bataille de Millesimo (14 avril 1796). Dessiné par Carle Vernet, gravé par Duplessis-Bertraux.

Fig. 23. - Passage di Pó. Peint sue le lieu par Bacler Dalbe.

Fig. 42. - Le Français moderne (gravure allemande).

Fig. 48. - Bataille et passage du Tagliamento, le 26 ventôse an V. Dessiné par Carle Vernet, gravé par Duplessis-Bertaux.

Fig. 67. - Bataille du Caire, dite des Pyramides, livrée le 3 thermidor an VI (21 juillet 1798). Dessiné par Swebah.

Fig. 108. - Explosion de la machine infernale, rue Saint-Nicaise.

Fig. 114. - Mamelouck sabrant. Peint par Géricault.

Fig. 157. - Bivouac de l'armée française la veille au soir de la bataille d'Austerlitz (1er décembre 1805). Peint par Bacler Dalbe.

GARDE IMPÉRIALE

Fig. 207. - Arrivée de S. M. l'empereur Napoléon au château de Schænbrunn (1809). Dessiné par Al. de la Borde, gravé par Aubertin.

Fig. 292. - Divers projets sur la descente en Angleterre. Gravure anonyme de la collection Hennin.

Fig. 364. - Retraite de bataillon sacré à Waterloo, 18 juin 1815. D'après une lithographie de Raffet.

Torpeder Och Minor

Planer til Forelæsninger Over Huusbygningskunsten for Officeerskolens Ingenieurafdeling